Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Thursday, May 22, 2014

When Nouns Become Verbs

I sometimes like it.

Probably not always. Most of the examples that I can think of off the top of my head have to do with emerging technologies. "Facebook me."  "I'll Google it."  These are okay--short and also specific, which I respect.  Though I'm not a fan of saying "google" for "search" if Google is not the search engine, as that is kind of misleading instead of specific.

What I really like--and what has me writing on this topic to begin with-- is when the language is used more playfully and willfully, so that it has poetry as well as efficiency.  I recently read Karen Russell's Sleep Donation and jotted down two examples:

"We moth along toward the lights."

"Moth along." Kind of great, right?  She's describing human beings at a night market.  It evokes a different visual image and / or sense of intent from "walking", or "traveling" or "moving"--this is more haphazard.  And there's mood too--a sense of danger, of bad judgement in action.  For a short phrase it does a lot of work.

Here's another: "She has to houdini out of her restraints."

Not just struggle or wiggle--though certainly we feel wiggling is part of it. But we feel that "she" has a willfulness, and intent to escape her restraints such that she is doing something a little outside the possible.  Like Houdini.
Do you salad or sandwich? The verbing of English

Sunday, March 09, 2014

Book Review: Bill of the Century

A couple of weeks ago, I finished a short course in book reviewing. We discussed  things like the changing culture of reviewing with the advent of social media and decline in traditional publishing, and the recent debate regarding the pros and cons of printing a negative reviews. We also made a couple of stabs at review writing. I doubt I will embark on a career as a reviewer anytime soon, but it was a good exercise to have to generate a perspective on a book as I read it, and then present that perspective in some coherent fashion. Here's a little sample of my efforts:
BilloftheCentury Bookcover
Bill of the Century: The Epic Battle for the Civil Rights Act
According to Clay Risen, we tend to credit the achievement of the Civil Rights Act to Lyndon B. Johnson and Martin Luther King, Jr. largely because theirs are the names and stories with which we are familiar. Risen is kind enough to include himself in the “we” but I suspect he doesn’t actually belong there. I, however, do. In a word association game, I would complete “Emancipation Proclamation” with “Abraham Lincoln” and the “The New Deal” with “FDR,” because those are the only names I know. If there were more in my high school A.P. history study guide, I don’t remember them.

Unfortunately, Risen notes, our tendency to assign credit in such a simplified manner is both unfair and inaccurate. “The idea that either King or Johnson was the dominant figure behind the Civil Rights Act,” he writes,  “distorts not only the history of the act but the process of American legislative policymaking in general.”

In The Bill of the Century: The Epic Battle for the Civil Rights Act, Risen sets out to correct that distortion by presenting us with the literary equivalent to a “making of,” documentary, beginning in early 1963, a point during John F. Kennedy’s term at which civil rights legislation was at low ebb, and tracing the gradual rise of tide leading to the signing of the Civil Rights Bill on July 2, 1964.
A work that sets out to reframe historical events can’t help but shine a light on the fact that any view of history is a result of framing. Maybe this is why I found myself drawn to the moments in the book that revealed how players strove to frame events even as they were happening. While some examples of this—like a gala White House reception where Langston Hughes and Sammy Davis Junior rub elbows with Democrats for the cameras in a ploy to distract from John F. Kennedy’s meager progress on civil rights—felt par for the political course, other instances gave me pause.

Here’s one: In 1963, confronted by the knowledge that his movement was in danger of fading away due to a distracted public and a federal government refusing to intervene on states’ Jim Crow rulings, Martin Luther King Junior approved the plans for the Birmingham “children’s crusade.” On May 2, 1963, hundreds of children poured onto a plaza. At the end of two days, many were jailed and “photographers had snapped hundreds of pictures of German shepherds, their teeth sinking into young boys and girls.”

Just to recap: MLK, the “I have a dream” guy, sent kids to battle with angry policemen and big dogs. (Risen, by the way, does not react to this with the surprise I felt, probably because he is the author of an entire book related to King, and knows many things about him that aren’t inspirational quotes posted to Facebook.)

In the wake of the incident, Attorney General Burke Marshall publicly denounced the move, saying, “An injured, maimed or dead child is a price that none of us can afford.” Other politicians, however, turned their criticism toward the Birmingham police. The story and images from the event galvanized the civil rights movement, caused demonstrations to spark around the country and led key players, including Marshall, to realize that federal legislation was needed. Whether or not the means justified the ends, they were successful in achieving them
Here’s another item that I didn’t learn in A.P. history: The historic showdown between George Wallace and Deputy Attorney General Nicolas Katzenbach at the University of Alabama was rigged. “Wallace, [Katzenbach] realized... might believe his racist convictions, but acted on them mostly to appease voters.  Katzenbach would go to Tuscaloosa himself... let Wallace have his show, then insist on escorting the students to register.  Wallace, through a back channel,... told Kennedy he would comply.”

The first third of the Bill of the Century—which runs some 290 pages including 40 pages of citations—depicts events leading up to the introduction of the Civil Rights Bill in June 1963. The final two-thirds details the tactics and maneuvers required to push the bill through —in back rooms, on the streets and on the Senate and House floors. Although no summary could be sufficient, Risen’s recounting of a memo written by Katzenbach to Robert Kennedy during the early life of the bill might give a sense of what was involved:
“If the goal was to get the bill intact through the Senate, then a filibuster was inevitable—which meant they needed 67 votes to stop debate and bring the bill to a vote.... The only way to do that.... was to get [Senate Minority Leader Everett] Dirksen on board.... Because Katzenbach could then take Dirksen’s support of the bill to the House Republicans, who were open to civil rights but wary of siding with legislation that might get pared back in the Senate.  Dirksen, of course, did not support Title II, but Katzenbach hoped that his support on everything else could give momentum to the bill in the House, and that by the time it reached the Senate, Dirksen would have to choose between agreeing to the entire bill or standing in the way of historic legislation.”
If it sounds complex and confusing, it is. Risen, an accomplished journalist and author of A Nation on Fire, America in the Wake of the King Assassination, admirably manages to introduce and contextualize dozens of individuals—senators, congressmen, and myriad civilian activists—as well as organizations and political factions, but the density of information he is delivering can make for strenuous reading. I’ve no doubt been spoiled by textbooks and George R.R. Martin novels, but by page 150 I would have been grateful for a fold-out timeline, a tree graph showing all the characters and their affiliations, and maybe a cheat-sheet with acronyms and their translations.

Despite this, I recommend The Bill of the Century. “The story of the civil rights bill,” says Risen “is about the interplay between elected officials, government officials, lobbyists, and countless thousands of activists around the country, pushing and pulling each other toward their common goal.” That story, with all its details, dramas and complexities, is what Risen delivers.

Wednesday, June 05, 2013

What I'm Watching / Reading



LeavingofThings_mini_thumbnail
Reading: Just finished Jay Antani's The Leaving of Things, about a young Indian man who has spent most of his life in Wisconsin but is forced to return to India with his family when his father takes a job there. It's set in the 80s, and really manages to evoke time and place, mostly in India, but also the scenes that are set back in the United States. I guess you might call it a YA novel, as the narrator is a young adult, but the book is so beautifully written and elegiac that the term seems reductive--people don't categorize Eugenides' The Marriage Plot or Marukami's Norwegian Wood as YA fiction, as far as I know (do they?).  Anyway, I really enjoyed and recommend The Leaving of Things.
(Also, the 2.99 price tag on the Kindle version is a steal. It's an interesting price point for a book--when I see something so inexpensive, I do look at it with some suspicion, and and if I don't have any other information at all, I'm likely to pass it by.  But it's low enough that if I've heard anything good I'm willing to take a chance much faster than I would at $9.99.  In this, I had met the writer, so took the chance and was very glad that I did.)
Watching: What I'm watching is research related.  I met another writer, Janice Roshalle Littlejohn, through my MPW program. She's written a book called Swirling, about interracial dating and relationships, and has been approached about making a fictional screenplay based on material in the book (maybe the way the non-fiction book Queen Bees and Wannabes was the basis for Mean Girls), We're going to meet and talk about her outline for the script. I'm just a consulting, (you know, because I've been to film school and stuff) but I think it's pretty fascinating, so I've been watching films that deal with that subject matter.  I haven't had time yet to go back to some older ones I've seen in the past, like Look Who's Coming to Dinner and Jungle Fever, but I've re-watched My Big Fat Greek Wedding, and watched for the first time Crash, and Something New. They aren't all perfect films, but they each have something to contribute to the conversation, and they make you realize even though mixing is happening all around us, it's not really a conversation you see in too many movies--at least not in depth.  I'm looking forward to seeing where the project goes!

Wednesday, September 29, 2010

Baby Steps to Destruction of the World We Know

I returned two really nice books to a large chain bookstore using their included gift receipts. It is my intention to buy these same books in their electronic form for my Kindle. I felt especially bad about this when, as I was driving my car today--with the soon-to-be-returned books in the passenger seat beside me, I heard on the radio that two Barnes and Noble stores are closing down in towns surrounding L.A. I know my own buying habits are contributing to the demise of the brick-and-mortar bookstores I love. But then I reasoned that A gift return isn't cash, it is a gift card. I spent my gift card right away, on magazines, and a half-sweet green tea latte. It was really fun, because I never buy magazines. So really, the bookstore still got my money, and now I'll buy two books for my Kindle I might not have thought to buy previously, so I like to believe that everybody wins, but I have trouble believing that someday, when there are only virtual bookstores, that don't sell green tea lattes, I won't feel somehow complicit.

Friday, December 11, 2009

Immersed in Vietnam

Since last weekend I have had the luxury of thinking about only one script for a several consecutive days. It has been great. I may have already mentioned that the script is an adaptation of a Vietnamese novel that I am co-writing with another woman who has actually read the novel (which is in Vietnamese.) But during the writing I started to feel like I wanted a little more sense of place than I was finding on travel sites on the web, and stumbled across The House on Dream Street by Dana Sachs. It is the memoir of a woman who spent a cumulative year or so in Hanoi in the early to mid-nineties. This was exactly the kind of thing I needed, since the script is present day--I know the nineties aren't exactly present day, but in that is is a generation post-war, and the story I am working about is NOT about the war--and the first act takes place in the Old Quarter in Hanoi, which is where she stayed as well. On top of that, her book was a real joy to read. About the only time I get to read these days is on the elliptical machine at the gym, and for several days I looked forward to the gym just because it meant I could read this book.